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Artist Stötzer: “Be there and don’t stay silent”

Artist Stötzer: “Be there and don’t stay silent”
Artist Gabriele Stötzer is having a great year. / Photo: Jens Kalaene/dpa
From: DieSachsen News
In the GDR, she was sent to prison; later, she occupied a Stasi building: Artist Gabriele Stötzer never wavered from her path. Now, at age 73, she is experiencing what is likely her greatest year.

Artist Gabriele Stötzer (73) has some exciting months ahead of her. Berlin’s Gropius Bau is now dedicating a major solo exhibition to her, and this fall she is also set to receive the Kaiserring in Goslar—one of the most prestigious awards in the arts. “I’ve experienced a lot in life and had to endure a great deal,” Stötzer said in Berlin. For her, this recognition is also a kind of fulfillment. “I’m happy to be here.”

In the GDR, Stötzer was imprisoned after organizing a petition against Wolf Biermann’s expatriation; she spent a year in prison, where she sewed pantyhose. She worked in the underground art scene and co-founded the Erfurt Women Artists’ Group. In 1989, she helped occupy the Stasi district headquarters in Erfurt.

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Videos and large woolen figures

About 150 of her works are now on view in the exhibition “Gabriele Stötzer: Be There and Don’t Stay Silent” at the Gropius Bau. The works include videos, photographs, fashion objects, and, for example, oversized female figures made of wool, which are also intended to evoke the women of Ukraine. Stötzer does not want to be reduced to the label of “GDR artist.”

She grew up in the GDR, took photographs and wove, is a feminist, and has been in prison; she talks about all of this, and it’s all part of her life. But if you reduce her to just a role like “GDR photographer” or “feminist,” that’s not accurate. She also finds that boring—it prevents you from growing.

Despite the repression, she didn’t leave the GDR back then. “I was always persecuted in that country, and yet, of course, it’s my home,” said Stötzer, who lives in Erfurt. Back then, she also thought to herself: “Let them go—why should I go?”

“Who even knows about this Kaiserring?”

In October, she is set to receive the prestigious Kaiserring in Goslar. When she first heard about it, she didn’t know what it was. “Who even knows about this Kaiserring?” When she then looked up past recipients, she was blown away. Henry Moore, Gerhard Richter, Joseph Beuys, Rebecca Horn, and Christo, for example.

She then thought that maybe it wouldn’t happen at all—that’s how little she could reconcile the award with herself. Then you go through a transformation, and perhaps that will change her art once again. The exhibition in Berlin runs through December 6. A performance is also planned there in August—Stötzer will be standing on the roof.

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