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Suzanne Vega lends her voice to an opera

Suzanne Vega lends her voice to an opera
Singer Suzanne Vega was the narrator of the opera "Einstein on the Beach" by Philip Glass at the Dresden Music Festival (archive photo). / Photo: Jaroslav Novák/TASR/dpa
From: DieSachsen News
The opera "Einstein on the Beach" by Philip Glass is a challenge for artists and audiences alike. The manifesto of minimal music has now been performed at the Dresden Music Festival.

Sound rapture at the Festspielhaus Hellerau: The Dresden Music Festival hit the nerve of the audience with a performance of the opera "Einstein on the Beach" by Philip Glass. After three and a half hours of performance without an interval, the applause in the Festspielhaus Hellerau was unending. The US singer and songwriter Suzanne Vega ("Luka") performed the text passages of a work that has cult status and was performed in concert in Dresden.

Choir, musicians and Vega impressed the audience

The Collegium Vocale Gent was a recognized world-class choir. The Belgian ensemble Ictus under the direction of Tom de Cock was also brilliant. "Einstein on the Beach" was recorded with this line-up in Hamburg's Elbphilharmonie in 2022. Alexandre Fostier's sound direction made a significant contribution to the listening experience in Dresden.

The opera has no continuous plot. It makes reference to its namesake Einstein with several violin solos, among other things. The physicist Albert Einstein was a passionate amateur violinist. "When I was little, Einstein was one of my heroes", wrote the composer in his book "Music by Philip Glass": "If, like me, you grew up after the end of the war, it was impossible not to know who Einstein was. The empathic yet catastrophic beginnings of the nuclear age had made atomic energy the most discussed topic of the day."

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Relaxation exercises during the performance

"Einstein on the Beach" made the composer Philip Glass famous after its premiere in 1976. The work was originally scheduled to last five hours without an interval. It was suggested to the audience that they could leave during the performance at will and return to the hall. Many members of the Dresden audience also took advantage of this. Musicians and singers used passages in which they were not involved in the action to relax in the background of the stage.

Minimal music can build on a large fan base

Minimal music has a large fan base and can create an extraordinary sound experience. It is characterized above all by the so-called pattern technique, which repeats short rhythmic or rhythmic-melodic formulas many times. The superimposition of these patterns creates an outwardly static sound structure despite the internal motor skills. For the listener, the musical structures always remain ambiguous: the same thing can be perceived from ever new perspectives, so to speak.

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